A vibrant homage to the blues, SLASH’s star-studded blues album and sixth solo album of his career overall, Orgy of the Damned is a collection of 12 dynamic songs that revitalize the blues with a stripped-down approach. In the spirit of collaboration, on Orgy of the Damned, SLASH handpicked the album’s diverse guest vocalists, which include Gary Clark Jr., Billy F. Gibbons, Chris Stapleton, Dorothy, Iggy Pop, Paul Rodgers, Demi Lovato, Brian Johnson, Tash Neal, Chris Robinson, and Beth Hart. The acclaimed guitarist reteamed with producer Mike Clink and reunited with two of his bandmates from his Blues Ball outfit in the 90s, bassist Johnny Griparic and keyboardist Teddy ‘ZigZag’ Andreadis, and brought on drummer Michael Jerome and singer/guitarist Tash Neal who round out his blues band in the studio and on the road.
For Orgy of the Damned, everything was played live in the room, with an emphasis on improvisation which resulted in a collection of energized songs that are vital and raw. Highlights include “Oh Well” with outlaw country star Chris Stapleton’s gritty vocals on the beloved early Peter Green/Fleetwood Mac tune, listen HERE, and the Howlin’ Wolf-penned first single “Killing Floor” an electrifying collaboration with Brian Johnson of AC/DC on vocals, and Steven Tyler of Aerosmith on harmonica, listen HERE. “Hoochie Coochie Man,”–written by Willie Dixon and made famous by Muddy Waters–showcases the album’s the in-the-moment nature and unrestrained energy with Z.Z. Top’s Billy F. Gibbons stepping in on guitar and vocals, Gary Clark Jr. joins in for a rowdy take on Robert Johnson’s “Crossroads,” and Beth Hart stuns on the twanging and soulful rendition of T. Bone Walker’s “Stormy Monday.” Some of the songs, like Steppenwolf’s “The Pusher,” Charlie Segar’s “Key to the Highway,” and Albert King’s “Born Under a Bad Sign,” had been performed by Slash’s Blues Ball, while others, like Stevie Wonder’s “Living for the City,” were long-time favorites for SLASH.
Read SLASH’s full breakdown of all the songs and artist collaborations on Orgy of the Damned, HERE.
Launching this July 5 in Montana, SLASH has curated an all-star Blues lineup for the first-ever S.E.R.P.E.N.T. Blues Festival which stands for Solidarity, Engagement, Restore, Peace, Equality N’ Tolerance to bring fans together to celebrate the spirit of the Blues, and to perform with other Blues artists he admires who share his love of the genre. SLASH’s S.E.R.P.E.N.T. festival artists include Warren Haynes Band, Keb’ ‘Mo, Christone “Kingfish” Ingram, Robert Randolph, Samantha Fish, Eric Gales, ZZ Ward, Jackie Venson, and Larkin Poe. On all dates, SLASH will perform alongside his Blues band featuring bassist Johnny Griparic, keyboardist Teddy ‘ZigZag’ Andreadis, drummer Michael Jerome, and singer/guitarist Tash Neal. For all S.E.R.P.E.N.T. Blues Festival dates, visit: SerpentFestival.com.
The S.E.R.P.E.N.T. Festival is designed with maximum social impact in mind and SLASH has chosen five nonprofit organizations to directly benefit from touring proceeds to help lift marginalized communities and support mental health initiatives that share his restorative focus of elevating lives for the benefit of all. Through PLUS1.ORG, the S.E.R.P.E.N.T Festival will donate a portion of the proceeds from every VIP package, as well as every Ticket sold, directly to NAMI the National Alliance on Mental Illness, The Equal Justice Initiative, Know Your Rights Camp, The Greenlining Institute, and War Child. For details on all S.E.R.P.E.N.T Festival VIP packages, visit serpentfestival.com/vip.
Check out more early acclaim for SLASH’s new album Orgy of the Damned:
“One of the album’s great pleasures is hearing Slash put his own incendiary stamp on these chestnuts, rather than mimicking the solos from the original records, as so many musicians who play classic blues covers do. Sure, the signposts for each song are in place, but they’re departure points, not boundary markers. If anything defines this album’s character, it’s the upbeat energy and sheer glee of making music that ripples through every track. And Slash’s solos are vibrant and filled with grittier turns on the kind of bends and slides that would make Howlin’ Wolf’s venerated guitarist Hubert Sumlin beam. Many of the tunes on Orgy of the Damned came from an old Slash’s Blues Ball set list or were favorites—like ‘Born Under a Bad Sign’—Slash has been itching to cut for decades. That explains the songs, but Slash’s guitar tones—portly, burnished, growling, full of just the right amount of low-mid punch, and guided by the hands of a master—are partly the result of his ear’s latest passion.”
–PREMIER GUITAR cover story
“an all-star blues party, Orgy of the Damned is a celebration of the genre that has had a deeply influential impact on Slash’s own style.”
–GUITAR WORLD
“[Orgy of the Damned is] a who’s who of hard rock: Paul Rodgers, Steven Tyler, Billy Gibbons, Iggy Pop. There’s also Demi Lovato, the rock-loving pop star who gives a powerhouse performance of the Temptations’ ‘Papa Was a Rolling Stone.’ …[Papa] shows Slash working the talk box with his guitar and playing a wah-wah-wah solo (that’s extra wah), plumbing new depths of soul in the song. But the clip also shows Lovato’s intensity as she reads the lyrics about making sense of an absent father and finding her own meaning in words like, And when he died, all he left us was alone. Her voice even climbs to the same height as Slash’s guitar for the final solo.”
–ROLLING STONE
“Chris Robinson sounds about 100 years old on a fabulously grizzled take on ‘The Pusher’, Billy Gibbons glides over ‘Hoochie Coochie Man’, and Brian Johnson does his best Tom Jones on ‘Killing Floor’. And Chris Stapleton outsings them all on ‘Oh Well.’ As is only right and just, Slash is the star of his own show, and he’s chosen material to showcase his guitar pyrotechnics.”
–CLASSIC ROCK
“A fascinating listen. While Hart brings her incredible vocal range to ‘Stormy Monday,’ Rodgers lays his smooth vocals over the jaunty rhythms of ‘Born Under a Bad Sign,’ and Slash serving as the connective tissue between each song, the album itself is able to explore different blues sounds and styles in accordance with how each of the chosen singers meshes with the material. Orgy of the Damned presents blues fans with an exciting way to hear new takes on favorite songs.”
–BLUES ROCK REVIEW
“Orgy Of The Damned serves as an authentic bridge from his musical roots to his many hard rock endeavors. …most importantly to Slash, it goes back to what has always been at the heart of his playing: the blues.”
–GRAMMY MAGAZINE
“The legendary Slash has teamed up with Chris Stapleton for a killer Fleetwood Mac cover. Slash and Stapleton amp up the rock and roll early on in the song, giving it a modern refresh while still keeping the bones good. Stapleton pulls out his best raspy vocals on this track to sing the few lines of the song, but the single is really a showcase of their incredible talent on the guitar.”
–WHISKEY RIFF
“Orgy of the Damned leans into classic blues sounds for a vintage feel.
–REVOLVER
“Slash has assembled a star-studded cast of the world’s top musicians and a revolving door of talented singers – including Demi Lovato, Paul Rodgers and Chris Stapleton, delivering an album that’s choc-full of serious guitar statements.”
–MUSIC RADAR
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